As an assistant paper conservator, she is responsible for the care and preservation of a wide variety of works on paper and archival materials through interventive and preventive conservation methods. Jane Tan Ying Hui (陳穎惠) began her career in western paper conservation in 2014 at the Heritage Conservation Centre in Singapore. Camille Schmitt, who runs a private East Asian painting conservation studio in France. from Fudan University’s Shanghai Institute of Visual Art, majoring in Chinese painting conservation. Xiangmei Gu, to refine his abilities in traditional Chinese mounting practice and learn innovative techniques in modern conservation. He is training under senior conservator, Ms.
Sackler Gallery, Smithsonian Institution. Mellon Foundation Fellow in Chinese painting conservation in the East Asian Painting Conservation Studio at the Freer Gallery of Art and Arthur M. Zhichao Lyu (呂智超) is in his third year as the Andrew W. In 2012, she became Assistant Conservator, and in 2013, with generous support from the Mellon Foundation, she was promoted to Associate Conservator for Chinese paintings at the MFA. Mellow Fellow for Advanced Training, then as Sherman Fairchild Fellow. Tsai began working in the MFA Asian Conservation Studio after graduation under Jing Gao, first as Andrew W. in Conservation from Taiwan’s Tainan National University’s Graduate Institute for the Conservation of Cultural Relics, with a specialization in Asian paintings conservation. Hsin-Chen Tsai (蔡欣辰) was born in Taiwan and is the other MFA conservator working on this project. Gao joined the MFA in 1995, as the Cornelius Van der Starr Conservator of Chinese Paintings, then a newly created position within the Asian Conservation Studio. Gao’s students was Jacki Elgar, who is now Pamela and Peter Voss Head of Asian Conservation at the Museum of Fine Arts, Boston. Gao could train American conservators in traditional Chinese methods. UMMA received generous grants from various organizations, such as the NEA, IMS, and the Starr Foundation, so that Mr. Gao was the first and only conservator for Chinese paintings working in the United States for a museum or institution collecting Asian art. Gao began working for the University of Michigan’s Museum of Art (UMMA). Treated paintings were often shown in public exhibitions just outside the emperor’s old living quarters. Gao conserved and remounted old and new paintings for the Palace Museum in a studio that was formerly home to the Imperial Court ladies, inside the walls of the Forbidden City. There he learned Chinese paintings conservation and mounting techniques from master mounters and craftsmen. He was born in Beijing, China, where he studied and worked at the Palace Museum from 1973 until 1985. Jing Gao (高竸) is the lead conservator for this project.
JING GAO KELLER WILLAM PROFESSIONAL
What started as a professional relationship evolved into a genuine friendship, extending beyond the realm of buying a house. Closing and negotiating the deal was undoubtedly challenging, but Mon supported us every step of the way until the very end. Whenever I had a question or concern, she would respond promptly, which alleviated my nerves and gave me peace of mind. Throughout the entire journey, Mon was always there for me. Her dedication and commitment were truly remarkable. We promptly re-discussed the price and revisited the disclosure, with Mon tirelessly staying up all night with us before sending out the revised offer. To my surprise, other buyers ended up withdrawing their offers, and Mon immediately informed me. However, Mon's expertise and confidence in the market made me reconsider, and I took the leap. At the time, I was convinced that my offer price wouldn't stand a chance. One particular instance that stands out is when Mon encouraged me to place an offer on a property. Her ability to adapt and provide professional advice throughout the home searching process was truly impressive. From the very beginning, Mon took the time to truly understand my requirements, even when I occasionally changed my requests. I had the pleasure of working with Mon as my home buyer agent, and I cannot express enough how grateful I am for her outstanding service.
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